The word dubstep first came to my attention at an artistic salon I went to at the Bethnal Green Men’s Working Club back in 2006.
It was, admittedly, an unlikely setting. Chatting about writing for Rolling Stone Italy to a Dutch DJ sharing my table, I mentioned that I was on the look out for hot new bands and new musical trends.
He was appalled when I admitted that I had never hear of dubstep, a sound which originated in deepest, darkest Croydon but which had spread to Holland, Brazil and even Japan.
Imagining that I had come across this hot new genre, the next I whacked the term into Google to see how much had already been written.
To my dismay, the Telegraph had got there first (has anyone else noticed how, despite having the reputation for being the paper of choice for right-wing wrinklies, the Torygraph has a pretty avant-garde culture coverage.)
In the years that have followed, I’ve always been tempted by the idea of a night of dubstep. To date the closest I’ve come is listening to Annie Nightingale’s show on the BBC iPlayer, which I don’t think really counts.
Plastic People, one of my favourite clubs in London seems like the perfect venue – small, dark, underground and with a wicked sound system.
But the idea of spending the night with a load of moody teenage boys wearing sportswear has never really appealed.
Now it seems like I may have the perfect excuse to dig a little deeper into the scene.
My weekly journey (round the corner into the graphics suite) for creative inspiration has come up with a little gem.
The Whitechapel Gallery, which is round the corner from my gaff is hosting the UK premiere of Bassweight, the first documentary about dubstep.
Bassline debuts on Friday 24th October 2008 at the Whitechapel Gallery